Eurovision is massive in Australia, probably more so than it is in much of Europe – despite the fact that there aren’t any Australian participants, we don’t get to vote, and it’s shown on time-delay. Which is odd.
Of course, its importance is symbolic. Eurovision was first shown in Australia in 1983, which was exactly the point when the first generation of Australian-born people of non-British and non-indigenous descent (*) was in the ascendant (since from 1946-1973, migration policy had moved from ‘The Empire’ to ‘any country you like as long as you’re white-ish’).
Australia was shedding old stereotypes about national background, stiff-upper-lips and machismo, and forging its own identity with a nod to all the cultures from which the population was now derived. Combining row-of-tents campness with a near-total match to white Australians’ homelands, Eurovision couldn’t have worked better as a totem of the New Australia.
The White-ish Australia policy has now been dead for almost exactly as long as the British Australia policy had been in 1983, and again, the country has changed substantially and for the better for it. Sure, there are still plenty of bigots, but Asian cultures are now a massive part of the Australian mainstream.
It occurs to me that what we really need now, to cement and mark this, is some kind of massively campy event that somehow nods to both Australia’s multiple European heritages and the Asian heritage of New New Australians… Any ideas?
* yes, I know there have been Chinese and German Australians for almost as long as there’ve been white Australians and for much longer than there’s been a country of Australia. But mass migration was overwhelmingly from the British Isles until after World War II.
One thought on “Quick and unoriginal Eurovision thought”
A song and dance competition for Transgender performers from the Southern Hemisphere.
Note: The entrant from Alice Springs will be automatically disqualified.